{"id":13406,"date":"2021-05-13T11:22:43","date_gmt":"2021-05-13T09:22:43","guid":{"rendered":"https:\/\/heartbrut.com\/?page_id=13406"},"modified":"2026-04-08T09:33:02","modified_gmt":"2026-04-08T07:33:02","slug":"newsroom","status":"publish","type":"page","link":"https:\/\/heartbrut.com\/fr\/newsroom\/","title":{"rendered":"Newsroom"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

NEWSROOM<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

SELECTED MEDIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

The Guardian<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Tages-Anzeiger<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

SRF Kultur<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

SRF News<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

NZZ am Sonntag<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Meter Magazin (Interview)<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Swiss Architects<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Espaces Contemporains<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

bref Magazin<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

St. Galler Tagblatt<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

BZ Basel \/ Aargauer Zeitung<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Architektur Basel<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Hochparterre (Print)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Maisons et Ambiances (Print)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Wohnrevue (Print)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\"It was love at first sight. My heart just melted away in the summer sun. It was the way La Tulipe proudly and unapologetically embraced both its hard and its soft and pastel sides, playfully defying the macho vibes often associated with brutalism. For me, the core message of La Tulipe is that you have more fun when you dance away from the norm.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tKarin B\u00fcrki<\/span>In The Guardian<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tKarin B\u00fcrki shines a new light on her 'concrete beauties'. In 2019 she founded the format Heartbrut and website of the same name \u201cto take a fresh look at Swiss concrete icons and free the solitaires from the stubborn monster clich\u00e9\u201d. \u201cConcrete is a cultural asset,\u201d says Karin B\u00fcrki. She recently published the Carte Brute Z\u00fcrich, a folding map featuring Zurich\u2019s 40 most striking concrete icons. \t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tClaudia Schmid<\/span>Tages-Anzeiger<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\"Broadly speaking, I look for groundbreaking eye catchers that are still relevant today. But my camera always has a say too. One of my all-time favourites is Three Loops, a sculpture in the playground of the Gr\u00fcnau School that resembles oversized, curved strips of chewing gum. It may not figure in the top ten of the classic architectural guides, but it pops both on Instagram and as a postcard.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tKarin B\u00fcrki<\/span>Interviewed by Carina Iten for Meter Magazin \/ Ideales Heim<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tConcrete, exciting? Exposed concrete, a piece of Swiss cultural heritage? Zurich writer Karin B\u00fcrki absolutely thinks so. But she is by no means na\u00efve. She is well aware that the general public still regards concrete buildings from the 1960s and 1970s as 'monsters' and eyesores. Keen to change that she has published 'Carte Brute', a folding guide featuring the \"50 most daring and exciting\" Swiss concrete icons of the last 100 years.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\"Christina\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\tChristina Genova<\/span>St. Galler Tagblatt<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\tKarin B\u00fcrki\u2019s photos, some of which are taken from somewhat idiosyncratically chosen perspectives, are probably not every architect\u2019s cup of tea, but they nevertheless function perfectly as a source of inspiration for future brutalist expeditions through Switzerland.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tLukas Gruntz<\/span>Architektur Basel<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\"Switzerland is well-stocked with brutalist icons. The post-war building boom brought us a good number of concrete buildings, exposed concrete (in French 'b\u00e9ton bru') became a design tool in architecture. The writer and photographer Karin Hunter B\u00fcrki has been capturing these buildings photographically for some years now... With plenty of panache, she promotes the modernity and contemporary relevance of these concrete monsters so often condemned as ugly (despite revival and hype).\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tSusanna Koeberle<\/span>Swiss Architects<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

NEWSROOM SELECTED MEDIA The Guardian Tages-Anzeiger SRF Kultur SRF News NZZ am Sonntag Meter Magazin (Interview) Swiss Architects Espaces Contemporains bref Magazin St. Galler Tagblatt BZ Basel \/ Aargauer Zeitung Architektur Basel Hochparterre (Print) Maisons et Ambiances (Print) Wohnrevue (Print) “It was love at first sight. My heart just melted away in the summer sun. […]<\/p>\n","protected":false},"author":1,"featured_media":19449,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_wp_rev_ctl_limit":""},"class_list":["post-13406","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/heartbrut.com\/fr\/wp-json\/wp\/v2\/pages\/13406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/heartbrut.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/heartbrut.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/heartbrut.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/heartbrut.com\/fr\/wp-json\/wp\/v2\/comments?post=13406"}],"version-history":[{"count":10,"href":"https:\/\/heartbrut.com\/fr\/wp-json\/wp\/v2\/pages\/13406\/revisions"}],"predecessor-version":[{"id":39542,"href":"https:\/\/heartbrut.com\/fr\/wp-json\/wp\/v2\/pages\/13406\/revisions\/39542"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/heartbrut.com\/fr\/wp-json\/wp\/v2\/media\/19449"}],"wp:attachment":[{"href":"https:\/\/heartbrut.com\/fr\/wp-json\/wp\/v2\/media?parent=13406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}